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Discover Bantaey Chhmar: A Cambodian Jewel

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This Angkorian citadel is worth the long journey north.
Discover Banteay Chhmar: Cambodia’s Jewel
Discover Banteay Chhmar: Cambodia’s Jewel
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Dusty streets, houses on stilts, towering palm trees, At first glance, Banteay Chhmar looks like any other village in rural Cambodia.

Then you notice the moat.

In the very centre of town, just off the main road connecting the community hall with the high school, market and pagoda, a perfectly square waterway appears out of nowhere. 

Shaded on all its sides by thick foliage, the moat wraps around a vast temple enclosure, raised to mimic a mountain. This is Banteay Chhmar Temple complex: an Angkorian citadel constructed in the late 12th century under King Jayavarman VII. Nine more ‘satellite’ temples radiate from the main sanctuary. 

With the scorching sun on our backs, my guide Mr Pel leads me along the boardwalks erected over the rubble of Banteay Chhmar. 

The temple’s crowning glory is its outer gallery walls, which depict domestic scenes, great battles and vignettes from the royal court, in exquisite bas-relief.

For locals, these structures have always been significant sites of worship. The temple’s face towers, bas-reliefs and intricate carvings that fuse Hindu and Buddhist symbology are every bit as impressive as the temples of Angkor. But unlike Angkor, Banteay Chhmar had been lost to the jungle for eight centuries, and had not benefited from conservation or protection from looters. 

Until a group of enterprising residents recognised its untapped potential. 

Determined to take a socially responsible approach from the outset, they established Banteay Chhmar Community Based Tourism (CBT) in 2007 with assistance from non-governmental organisations like Agir Pour le Cambodge (France) and Global Heritage Fund (USA). The latter trained more than 40 locals to start restoring the main temple.

Home among the temples

Hotels are banned in the protected zone around Banteay Chhmar, so CBT started homestays with families in the town, a truly local experience I enjoyed for the duration of my stay. My room was typical of a Khmer home: A plain wooden room with a large bed, a mosquito net, and a fan. 

Many families settled in Banteay Chhmar after escaping civil war refugee camps along the border.  My host, Mrs Nil Loeun, was separated from her family and forcibly relocated to Banteay Chhmar under the Pol Pot regime. 

“When we first learned that the Global Heritage Fund would be restoring the temple, we were worried that villagers would be made to leave, like in the past,” Loeun says. “We are very happy that they are protecting the temple as well as the people of Banteay Chhmar.”

The CBT welcomed its first official guests in 2007, and continues to welcome visitors from all over the world with guided tours of the temples and villages, traditional music performances and other cultural experiences alongside homestays, meals and transportation. 

Book a tour package or pick and choose a range of activities.

Safeguarding a national treasure

A project that puts the interests of the community first is still a relatively new concept in Cambodia, but it’s proving to be a successful one.

“Everything has changed,” Sophal later tells me. “Many people now think about protecting and rebuilding the temple whereas before, they only thought about destroying it. Locals were involved in the looting of the temple. But now they understand how important it is to care for the temple, and are involved in its restoration. So now we have more than a hundred people who come to work at the temple everyday, all of them Banteay Chhmar locals. They work to improve their family income.”

Community first

Visiting during monsoon season, I expected to be the only guest. But when I arrived, the office was a hive of activity. A large group had just come from a neighbouring province, to learn the ropes of community-based tourism from the Banteay Chhmar team.

When setting up the tourism initiative, the CBT consulted the community to make sure they had a voice in the project. They also wanted to ensure that Banteay Chhmar locals would benefit from tourism, unlike communities in Siem Reap, which remains one of the poorest provinces in the country, despite being home to Angkor Wat, Cambodia’s most popular tourist attraction.

“In Angkor Wat, we saw most local people have moved outside, and fees go to foreigners,” CBT Coordinator, Mr Tath Sophal, told me over lunch. “We thought we should do something to help the local people here.” 

The four villages closest to Banteay Chhmar Temple – home to some 2,000 families – are now actively involved in the CBT in some way. Around a hundred people are employed as guides, drivers, handicraft artisans and cooks, while hundreds more benefit indirectly. As well as steady employment, CBT members receive training in hospitality, food hygiene, and English language lessons. 

Building a future

2018 was Banteay Chhmar’s biggest year, with just over 2,000 visitors. But two years on, the COVID-19 pandemic decimated visitor numbers.

“We welcomed 67 local visitors in 2021,” says Sophal. ” With borders opening up again as COVID-19 pandemic restrictions ease, Bantaey Chhmar has seen a welcome increase in travellers, with over 900 visiting in 2022.

As more travellers learn about Banteay Chhmar as an alternative to Angkor, Sophal and the CBT team want to ensure that local families continue to benefit. Profits from the fund have been used for a range of development projects, including rubbish collection, installation of solar panels, and funding community clean-ups and reforestation projects.

Thanks to the extra income they earn, many families in Banteay Chhmar can now afford to invest in their children’s future. “They save money for their kids to go to school, for food, and for saving money for university fees,” Sophal says.

When you travel to Bantaey Chhmar with the CBT team, you are exploring an off-the-beaten path gem while ensuring every cent you spend goes back into the community. 

More than 2,000 families are involved in the CBT, which currently employs 83 people from the local community. Depending on the type, service providers receive 60-85 per cent of the fees travellers pay, with the remainder used for admin costs and reinvested into a community fund.

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In COVID-19, Phare circus keeps the lights on

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Act 1: The audience goes quiet

On an ordinary day, Phare The Cambodian Circus’ big tent is filled with the excited cries of guests as they watch Phare’s artists perform gravity-defying feats, the rising music of the live band, the colourful lights that catch the graceful moves of the dancers. All in celebration of Cambodia’s rich artistic history, presented through a contemporary lens.

But 2020 is no ordinary year, and Phare’s big tent has stood silent for much of the past nine months. plunging its staff and artists’ livelihoods into deep disarray. 

No thanks to COVID-19, international travel had ground to a halt. The town of Siem Reap, usually bursting with over 2.5 million tourists a year flocking to the famed Angkor temples, is eerily empty, with boarded-up shop fronts and empty hotels.

Normally bustling day and night with tourists, Siem Reap’s Pub Street is now a ghost town of boarded-up shop fronts. Photo courtesy of Yun Ranath
Normally bustling day and night with tourists, Siem Reap’s Pub Street is now a ghost town of boarded-up shop fronts. Photo courtesy of Yun Ranath

“The atmosphere is devastating, a lot of people lost their livelihoods. Drivers, guides, hotels. No jobs. We don’t see the end in sight.”

Dara Hout CEO, Phare Circus

Phare circus, previously featured on Our Better World, is no ordinary circus. It is a social enterprise under Phare Ponleu Selpak, based in Battambang that has made art one of its pillars of improving life for the underprivileged. 

The circus’s acclaimed performances, which tell stories of Cambodian social issues and history through theatre, music, dance and modern circus arts, have drawn over 100,000 spectators over the years, helping to sustain Phare Ponleu Selpak’s non-profit work.  With performances halted, its reserves are stretched and its capacity to keep offering free education and training to Cambodian children and youth is under threat. 

Kitty Choup, a Phare artist, had performed nearly daily, specialising in contortions, jumps and other aerial performances. This ended abruptly in March 2020, when the Cambodian government ordered public performances to close, to prevent the spread of the coronavirus. 

Kitty (on top) during a rehearsal at Phare's performance space in Siem Reap. Photo courtesy of Kitty Choup
Kitty (on top) during a rehearsal at Phare's performance space in Siem Reap. Photo courtesy of Kitty Choup 

Although she is still paid a basic salary, the income from performing stopped. To make ends meet, Kitty sells clothes online and makes fruit and vegetable juices at home to sell in a makeshift stand on her street. She continues to rehearse and train at home with her husband (also a Phare artist), in order to stay in shape and ready for Phare re-opening.

Act 2: The curtains rise again

In August 2020, Phare was permitted to reopen for performances in a limited capacity on weekends. This was welcome news, but the situation remained perilous amid a near shutdown of international travel into Cambodia, as most of Phare’s usual audience were foreign tourists or travellers from Phnom Penh.

Undeterred, Phare decided to tweak their model. Previously, its steady revenue from tourism allowed it to offer free 100 tickets daily for Cambodians during its low season from April to October. Amid COVID-19, it is unable to offer free tickets, but it lowered ticket prices, and called for supporters — no matter where they were — to donate US$10 to sponsor a Cambodian family to watch a performance. 

“Cambodia as a nation has lost the culture of going to live theatre and patronage, we are trying to revive the culture of going to live performances,” says Dara. 

Complemented by street art displays and street food stalls, the revived programme was a hit. Though the audience size was a fraction of what it was before COVID-19 (about 70 to 100 nightly compared to 400), it still meant the artists were being paid for performances again. 

More importantly, it was also a morale boost to see the big tent lit up once more. “We are a beacon of hope for our community. They see that we are open, not closed, during this time. And people will try and persevere,” says Dara.

Act 3: The show must go on 

The path to recovery is not without speed bumps. In November, amid a rise in COVID-19 cases, the government ordered Phare to halt performances once more. It was only allowed to resume performances on Jan 15, 2021 and the outlook remains uncertain. 

Without performances to drive revenue, Dara says Phare will have to rely on its reserves built up over the years, and go into “sleep mode” in a few months and staff will only be paid a basic income. “We persevere, we try. We don’t want to lose our staff. We want to help everyone to survive, even on a pay cut,” says Dara. 

Donations are welcome while Phare develops new revenue streams and brings in potential investors to help the non-profit cope in future, and hopes for travel to open up in 2021. 

“We know Cambodia will be very reliant on tourists for a while,” says Dara. “I hope everyone who travels will take responsible travel seriously, and realise their money can impact the local community. There are grassroots, impactful organisations like Phare, and when you travel, you should do research and support these kinds of activities as tourists.” 

And even amid the severe challenges, he hopes the stories of resilience in Cambodia travel far and wide. “People continue to have hope in their lives. When people plan their holidays to Siem Reap, I hope they support activities that bring hope to people.”  Says Kitty, “I really love Phare, it is not just a business, it is a family. They have helped to keep us going, so that we can support ourselves and our family at this time. 

“I just keep working, keep rehearsing, and keep thinking about the future performances. I know I will be performing again.” 

Some members of Phare Ponleu Selpak are alumni of the Singapore International Foundation’s annual Arts for Good Fellowship, which fosters a community of practice that harnesses the power of arts and culture to create positive social change.

THE DIFFERENCE YOU MAKE

Phare The Cambodian Circus’ performances are not only original and deeply riveting to watch, they also support the social work of its parent non-profit Phare Ponleu Selpak and its education initiatives in Battambang. 

Amid COVID-19, Phare has been allowed to hold performances in a limited capacity. You can sponsor a Cambodian family to catch a performance, and help Phare keep the lights on on its social mission. Check Phare’s website for latest updates on operations.  

Any donation to Phare also helps bring the arts to underprivileged communities in Battambang, and develops livelihoods in theatre, graphic design and other visual arts. As the pandemic wears on, your donation can also help Phare continue to provide income and relief to its team and community.

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This circus with a social mission is helping the arts and livelihoods survive the pandemic through global support
This circus with a social mission is helping the arts and livelihoods survive the pandemic through global support.
In COVID-19, Phare circus keeps the lights on
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Help Phare stay the course amid the pandemic

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At the time of publishing this story, COVID-19 cases globally continue to rise, and international travel — even domestic travel in some cases — has been restricted for public health reasons. During this time, consider exploring the world differently: discover new ways you can support communities in your favourite destinations, and bookmark them for future trips when borders reopen.

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